What are the ways in which videoconferencing provides value to a business Essay Essay Example

What are the ways in which videoconferencing provides value to a business? Essay Essay Would you see it smart direction? Explain your reply. Esence merchandises provide the highest-quality videoconferencing available on the market to day of the month. Merely a smattering of companies. such as Cisco. HP. and Polycom. provide these merchandises. 3. What are the ways in which videoconferencing provides value to a concern? Would you see it smart direction? Explain your reply. Ans-2: Yes. I would see it smart direction because in concerns where the company work forces need to interact and pass on invariably with people from assorted locations particularly foreign. it is a really effectual. We will write a custom essay sample on What are the ways in which videoconferencing provides value to a business? Essay specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on What are the ways in which videoconferencing provides value to a business? Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on What are the ways in which videoconferencing provides value to a business? Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer It allows for ‘better’ meetings as good: it’s easier to run into with spouses. providers. subordinates. and co-workers from within the office or around the universe on a more frequent footing. which in most instances merely can non be moderately accomplished through travel. They can besides run into with contacts that they wouldn’t be able to run into at all without videoconferencing engineering. Furthermore. videoconferencing makes it possible to make the clients faster and shut the trade quicker. 4. If you were in charge of a little concern. would you take to implement videoconferencing? What factors would you see in your determination? Ans-3: There are some factors which should be considered in doing the determination of whether videoconferencing should be implemented. It is of import for a company to do certain it truly needs the engineering to guarantee that it will be a profitable investing. Companies should find how their employees conduct meetings. how they communicate and with what engineerings. how much travel they do. and their network’s capablenesss. 5. One consulting house has predicted that picture and Web conferencing will do concern travel extinct. Make you hold? Why or why non? Ans-4: In my sentiment. I would non recommend the thought that videoconferencing will do concern travel wholly nonextant. It is because that. although more employees may be able to work closer to place and equilibrate their work and personal lives more expeditiously through videoconferencing and telepresence. there are still plentifulness of times when face-to-face interaction is more appropriate. and frequently going to run into a client is indispensable for cultivating clients and finalising gross revenues. Wordss: 454Pages: 2Highlight TextPrint PaperSave PaperReport this EssaySimilar DocumentsVirtual Meeting: Smart ManagementVirtual Meetings: Smart Management AnalysisVirtual Meetings: Smart ManagementVirtual MeetingVirtual Meeting ScenarioVirtual Meetings Smart ManagementVirtual MeetingVirtural MeetingProject Meetings ReportVirtual OfficeVirtual TeamsHazard ManagementGreenMis Is Not So EasyTendencies In Business CommunicationPull offing InformationGroups A ; TeamsLake herringBusinessBrainstorming On The InternetRemarksThere are no remarks for this essay yet. Be the first to post one Add Remark Class: 12345

Free Essays on The American Form Of Government Has Gone To The Detrimental Extreme In Advancing Individualism

What is capitalism's essential nature? The essential nature of capitalism is social harmony through the pursuit of self-interest. Under capitalism, the individual's pursuit of his own economic self-interest simultaneously benefits the economic self-interests of all others. In allowing each individual to act unhampered by government regulations, capitalism causes wealth to be created in the most efficient manner possible which ultimately raises the standard of living, increases the economic opportunities, and makes available an ever growing supply of products for everyone. The free-market operates in such a way so that as one man creates more wealth for himself, he simultaneously creates more wealth and opportunities for everyone else, which means that as the rich become richer, the poor become richer. It must be understood that capitalism serves the economic self-interests of all, including the non-capitalists. Contrary to widely held beliefs, capitalism is not a system which exploits a large portion of society for the sake of a small minority of wealthy capitalists. Ironically, it is actually socialism that causes the systematic exploitation of labor. Since the socialist state holds a universal monopoly on labor and production, no economic incentive exists for the socialist state to provide anything more than minimum physical subsistence for the workers except to perhaps prevent riots or revolutions. Exploitation is inherent to the nature of socialism because individuals cannot live for their own sake, rather, they exist merely as means to whatever ends the socialist rulers the self-proclaimed spokesman of "society," may have in mind.1 What is capitalism? Laissez faire capitalism means the complete separation of economy and state, just like the separation of church and state. Capitalism is the social system based upon private ownership of the means of production which entails a completely uncontrolled and unregulated economy w... Free Essays on The American Form Of Government Has Gone To The Detrimental Extreme In Advancing Individualism Free Essays on The American Form Of Government Has Gone To The Detrimental Extreme In Advancing Individualism What is capitalism's essential nature? The essential nature of capitalism is social harmony through the pursuit of self-interest. Under capitalism, the individual's pursuit of his own economic self-interest simultaneously benefits the economic self-interests of all others. In allowing each individual to act unhampered by government regulations, capitalism causes wealth to be created in the most efficient manner possible which ultimately raises the standard of living, increases the economic opportunities, and makes available an ever growing supply of products for everyone. The free-market operates in such a way so that as one man creates more wealth for himself, he simultaneously creates more wealth and opportunities for everyone else, which means that as the rich become richer, the poor become richer. It must be understood that capitalism serves the economic self-interests of all, including the non-capitalists. Contrary to widely held beliefs, capitalism is not a system which exploits a large portion of society for the sake of a small minority of wealthy capitalists. Ironically, it is actually socialism that causes the systematic exploitation of labor. Since the socialist state holds a universal monopoly on labor and production, no economic incentive exists for the socialist state to provide anything more than minimum physical subsistence for the workers except to perhaps prevent riots or revolutions. Exploitation is inherent to the nature of socialism because individuals cannot live for their own sake, rather, they exist merely as means to whatever ends the socialist rulers the self-proclaimed spokesman of "society," may have in mind.1 What is capitalism? Laissez faire capitalism means the complete separation of economy and state, just like the separation of church and state. Capitalism is the social system based upon private ownership of the means of production which entails a completely uncontrolled and unregulated economy w...

451 Essay

In Fahrenheit 451, Ray Bradbury conveys a significant message through the contrasting tones he uses to describe Clarisse and Mildred. Bradbury uses a reverent, respectful tone to describe Clarisse, when Guy Montag sees her for the first time in the street as he walks home from work (3). The diction â€Å"slender† and â€Å"milk-white† portrays that Clarisse is young and innocent. These words create this feeling because one would normally associate slimness and a clear complexion with youth. The personification used in â€Å"gentle hunger† and â€Å"tireless curiosity† reveal the fact that Clarisse is inquisitive to the reader. The use of â€Å"gentle† and â€Å"tireless† allow the reader to see that Clarisse has a hunger for knowledge. The imagery â€Å"sliding walk† and â€Å"dress was white† creates an image of Clarisse’s demeanor and general appearance in the reader’s mind. Using these words also gives the reader the sense that Clarisse is pure, like an angel, because a sliding walk and white garments are associated with angels. Bradbury’s praising and positive tone shows that he strongly identifies with her personality. In contrast to the tone he uses when describing Clarisse, Bradbury uses a dull, monotonous tone to talk about Mildred when Guy Montag sees her as he walks into their bedroom shortly after his encounter with Clarisse (11). The metaphor â€Å"felt no rain† and â€Å"felt no shadow† compares rain and shadow to the feelings that Mildred does not feel. With this metaphor, Bradbury reveals to the reader that Mildred is apathetic, unfeeling. The diction â€Å"tamped-shut ears† and â€Å"ears all glass† suggests to the reader that Mildred is oblivious to her surroundings. These words create the effect that Mildred does not see and hear what is going around in front of her. The simile â€Å"like a snow-covered island† compares Mildred’s face to a snow-covered island. This simile leaves the reader with the impression that Mildred’s face is pale, almost lifeless. Bradbury’s apathetic, negative tone shows that he does not approve of Mildred’s obliviousness and lifelessness. Bradbury uses an admiring, awed tone to describe Clarisse when Guy Montag is remembering his encounter with Clarisse (8). The simile â€Å"face like the dial of a small clock† compares Clarisse’s face with the dial of a small clock. Bradbury goes on to describe the clock as the type giving off light in the darkness in the middle of the night. This comparison conveys the idea that Clarisse represents good early on in the book. The simile â€Å"how like a mirror too, her face† emphasizes the fact that Clarisse’s demeanor in general makes Montag reflect on his actions, thoughts, and words. Bradbury is trying to relay the message that Clarisse has the type of personality that makes other people reflect upon themselves. The simile â€Å"like the eager watcher of a marionette show† compares Clarisse to an eager watcher of a marionette show through a simile. This simile demonstrates how perceptive Clarisse is. Bradbury’s tone of disbelief and awe shows his admiration of Clarisse’s character. In Fahrenheit 451, Ray Bradbury uses contrasting tones towards Clarisse and Mildred in order to convey his opinion that one should not blindly the beliefs that are presented to them. Bradbury strongly believes that we should constantly question the world around us. 451 Essay In Fahrenheit 451, Ray Bradbury conveys a significant message through the contrasting tones he uses to describe Clarisse and Mildred. Bradbury uses a reverent, respectful tone to describe Clarisse, when Guy Montag sees her for the first time in the street as he walks home from work (3). The diction â€Å"slender† and â€Å"milk-white† portrays that Clarisse is young and innocent. These words create this feeling because one would normally associate slimness and a clear complexion with youth. The personification used in â€Å"gentle hunger† and â€Å"tireless curiosity† reveal the fact that Clarisse is inquisitive to the reader. The use of â€Å"gentle† and â€Å"tireless† allow the reader to see that Clarisse has a hunger for knowledge. The imagery â€Å"sliding walk† and â€Å"dress was white† creates an image of Clarisse’s demeanor and general appearance in the reader’s mind. Using these words also gives the reader the sense that Clarisse is pure, like an angel, because a sliding walk and white garments are associated with angels. Bradbury’s praising and positive tone shows that he strongly identifies with her personality. In contrast to the tone he uses when describing Clarisse, Bradbury uses a dull, monotonous tone to talk about Mildred when Guy Montag sees her as he walks into their bedroom shortly after his encounter with Clarisse (11). The metaphor â€Å"felt no rain† and â€Å"felt no shadow† compares rain and shadow to the feelings that Mildred does not feel. With this metaphor, Bradbury reveals to the reader that Mildred is apathetic, unfeeling. The diction â€Å"tamped-shut ears† and â€Å"ears all glass† suggests to the reader that Mildred is oblivious to her surroundings. These words create the effect that Mildred does not see and hear what is going around in front of her. The simile â€Å"like a snow-covered island† compares Mildred’s face to a snow-covered island. This simile leaves the reader with the impression that Mildred’s face is pale, almost lifeless. Bradbury’s apathetic, negative tone shows that he does not approve of Mildred’s obliviousness and lifelessness. Bradbury uses an admiring, awed tone to describe Clarisse when Guy Montag is remembering his encounter with Clarisse (8). The simile â€Å"face like the dial of a small clock† compares Clarisse’s face with the dial of a small clock. Bradbury goes on to describe the clock as the type giving off light in the darkness in the middle of the night. This comparison conveys the idea that Clarisse represents good early on in the book. The simile â€Å"how like a mirror too, her face† emphasizes the fact that Clarisse’s demeanor in general makes Montag reflect on his actions, thoughts, and words. Bradbury is trying to relay the message that Clarisse has the type of personality that makes other people reflect upon themselves. The simile â€Å"like the eager watcher of a marionette show† compares Clarisse to an eager watcher of a marionette show through a simile. This simile demonstrates how perceptive Clarisse is. Bradbury’s tone of disbelief and awe shows his admiration of Clarisse’s character. In Fahrenheit 451, Ray Bradbury uses contrasting tones towards Clarisse and Mildred in order to convey his opinion that one should not blindly the beliefs that are presented to them. Bradbury strongly believes that we should constantly question the world around us.

Neutrality of Money Concept in Macroeconomics Essay

Neutrality of Money Concept in Macroeconomics - Essay Example This paper offers a comprehensive analysis of the evolution of views of different economic schools of thought on the concept of money neutrality. Neutrality of money had been a concept popularised by classical economists who assumed that output at any point of time is being produced at the full employment level and hence, cannot be adjusted in the short run. Change in money supply could actually lead to a change in the general price level of the economy without creating any influence over its aggregate demand and supply schedules, rate of employment and interest rate. Thus, varying the amount of money in circulation in an economy could actually result to a controlled inflationary environment in the concerned nation. The primary reason behind the applicability of neutrality of money is the inelastic aggregate supply curve in the economy. A rigid supply results to a rise in price level in the nation though relative price of commodities remain fixed. On the other hand, as wages also increase proportionally, there is no adjustment on the aggregate demand frontier. Hence, the impact of a change in money supply only results to a change in the general price level in the short run. The dissection between real and nominal variables as made by classical economists led to the development of a result called classical dichotomy. The concept has been revised a large number of times by economists belonging to successive schools of thought. As it has been found that neutrality of money holds only during the long run. ... This is the reason why the concept has been revised a large number of times by economists belonging to successive schools of thought. Explanations provided by Macroeconomic schools of thought The following paragraphs elaborate the stance posed by various macroeconomic schools of thought regarding the neutrality of money. It was proposed first by the classical economists but had later been revised by its successors during different real-life economic crises. Classical Economics The classical economists were of the view that a change in money supply actually does not affect aggregate supply in the nation. In fact, they assumed aggregate supply of money to be inelastic at any point of time. In other words, the economy always produces at its full employment level so that the equilibrium output being produced is always fixed. In the short run, the position of the schedule stays fixed while in the long run, it shifts horizontally without creating any impact on the slope of the curve. Hence , a rise in money supply actually results to a shift in the aggregate demand given the immediate rise in the wage structures. The diagram alongside illustrates the situation which had been depicted by the classical economists. It shows that a rise in money supply in the economy results to a vertical shift in the aggregate demand curve. But the ultimate outcome remains unaltered with the equilibrium output staying fixed at Y* though the equilibrium price level rise from P0 to P’. Initially, a shift in aggregate demand curve creates a pressure upon the equilibrium output inducing a shift in equilibrium point from E to E†. But such a pressure cannot be

Exam 1 Essay Example | Topics and Well Written Essays - 500 words - 1

Exam 1 - Essay Example Jill would likely claim damages and remedies for suffering ‘injury’ and damaged reputation following the employer’s concealment of some sections of the contract to her during recruitment. Additionally, she may claim damages for wrongful dismissal from the job; and her denial of benefits despite the purported validity of the contract. As an arbiter I would ask the employer to reinstate Jill from the date of dismissal with compensation entitlements for the time the employee has been away, but under new and clearer terms that would not be injurious to her morals and reputation as a staunch Christian. She would then withdraw the notice she had issued to the Justice Department. Usually, any monetary compensation is not applicable in her case because she served for less than six months. According to Palmer, if she brought the issue to the Federal Court, the judges would order the implementation of any of the two primary remedies for illegal termination of the employment contract (158): first, the two parties can either be ordered to honor the contract and perform what it entails in letter and spirit throughout the remaining period of the agreement or order the payment of damages to Jill for the injuries she has suffered. As a Federal Judge, I would not recommend the implementation of a specific performance of the employment agreement because a substantial amount of time may have elapsed between the period of the purported breach of the contract or dismissal and when the verdict of the Supreme Court is given. The Federal Court deliberates mainly on appeal cases, which may have lasted several years under lower jurisdictions. Â   Secondly, I would be unwilling to force the two parties to carry on their employment relationship when frosty ties may have already set in. For instance, Jill’s decision to contact the Justice Department following what she perceived to ‘unethical’ responsibilities bestowed upon her by the employer,

Sensibility comparision Essay Example for Free

Sensibility comparision Essay Women have been struggling to prove themselves to society for centuries, yet many people today, living in the twenty-first century still think that women arent equal to men. The society one lives in defines a womens role and status and for many years society has always defined women to be too weak and overly sentimental. William Shakespeares Othello and Jane Austens Sense and Sensibility show that despite women continuously fighting for their rights, they still find themselves in the same position after two hundred years. Othello was written in the sixteenth century whereas Sense and Sensibility was written in the eighteenth century, yet the women of both texts struggle to be considered equal to men. Othellos Desdemona and Emilia are obligated to be obedient towards their husbands in order to be considered loyal and of high stature. If women are unmarried they are to be obedient to their fathers as they are considered to be their fathers property. Likewise Sense and Sensibilitys Elinor and Marianne are obliged to find husbands of good fortune in order to live a comfortable life as they are not given the opportunity to earn their own fortune. Throughout Sense and Sensibility Elinor and Marianne are imposed by society to find a husband even though they are not even adults yet. The societies the women of the play Othello by William Shakespeare and the novel Sense and Sensibility by Jane Austen live in, compel them to cope with the mistreatment of women and overcome it with regards to their contemporary society. The women in both texts are forced to behave as is expected of them in order to fit into their societies. In Othello Desdemona personifies an oppressed woman who admits to being obedient to her husband, I am obedient. (III. iii. 99). Throughout the play Desdemona follows her husbands orders, despite his insults towards her. She continues to be a dutiful wife when he commands her to go to bed and till the end where she accepts his decision to kill her. The Venetian society Desdemona was raised in has taught her to be submissive and dutiful. She acknowledges her role as an obedient wife and decides to follow what is asked of her by society. Furthermore Emilia also chooses to follow her role in Venetian Society in spite of her being an arguably stronger character than Desdemona. Tis proper I obey him, but not now. (V. ii. 233). Towards the end when she chooses to reveal Iagos acts she still feels the need to justify herself and explain why she is going against her husband. From the very start of the play Emilia does various things to please her husband, without trying to find out his true intentions. She is blinded by her role to be obedient towards him and does everything in her power to depict a perfect wife. Similarly in Sense and Sensibility women also try to conduct themselves in a proper way in order to be accepted by society. Elinor Dashwood portrays a woman of proper demeanour in the eighteenth century. She is careful not to hurt anyone, in spite of their narcissistic characteristics. The pleasantness of an employment does not always evince its propriety. (Jane Austen, 39). Elinor explains to her sister that how polite you are shouldnt always depend on how good ones company is. Being the eldest daughter, Elinor abides to having proper manners and takes on the role of the man of the house, making sure the small amount of money they have is being spent wisely. In order to be accepted by society Elinor also refuses to show her affection for Edward Ferrars knowing the reaction she would get from the people in her society. She knows she must be careful to not let her reputation get tainted if she wants to be accepted by her friends and relatives. Just like Desdemona, Elinor is very selfless and sensible as she cares more about the people around her than herself. These attributes are significant as to why both these characters are well liked in their society. Just as Desdemona is obedient to her husband, Elinor is obedient to her family. Furthermore Marianne Dashwood is another woman who is also forced to behave to the liking of the society in which she lives. Unlike Elinor it is more difficult for Marianne to portray an ideal woman due to her being more frank and caring for things other than being liked by the society. It was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor, therefore, the whole task of telling lies, when politeness required it, always fell. (Jane Austen, 68). Mariannes thoughts express how she feels obligated to be polite to others because of her sister, who encourages her to be polite in order for their family to have a good reputation in their society. Marianne believes that being polite is just telling lies to a person in order for them to like you. Although she does not like how the people in her society think Marianne must accept the fact that she must fit into her society and in order to do so she tries to behave in a respectful manner towards others. Both Marianne and Emilia are forced to be someone they are not. It is easier for Desdemona and Elinor to be passive women but Emilia and Marianne have more personality that comes in their way of portraying the type of women accepted in their society. Regardless, Emilia and Marianne force themselves to follow the conduct of women of their society. Desdemona, Emilia, Elinor and Marianne all must behave like courteous ladies and conceal their passion and frustration in order to be a part of their society. Not only does the society force them to behave a certain way, women are also taken advantage of and mistreated. In Othello Iago wants to get revenge from Othello for allegedly sleeping with his wife by sleeping with Desdemona. For that I do suspect the lusty Moor Hath leapd into my seat; the thought whereof Doth, like a poisonous mineral, gnaw my inwards; And nothing can or shall content my soul, Till I am evend with him, wife for wife. (II. i. 317-321). To Iago women are just possessions which is why he does not take into consideration the feelings of Emilia and Desdemona while planning his revenge. Iago knows that there is not much that Emilia and Desdemona can do because of the limitations Venetian society places on them. Therefore he continues to treat his wife with disrespect and plot to make Othello think that Desdemona has committed adultery. Moreover Othello mistreats his wife by killing her at the end . Yet she must die, else shell betray more men. (V. ii. 6). He plots to kill Desdemona because he thinks she has committed infidelity. He continues with his plan even when Desdemona states that she has been loyal to him. Othello is blinded by Iagos manipulative acts and cannot see right from wrong. Him not believing in Desdemona over Iago shows how Othellos mind has been affected by society into believing a mans say is more important that a womans. Correspondingly women in Sense and Sensibility are also uncared for by men. Willoughby is a prime example of a man who mistreats women. He is a heartless womanizer who seduces Eliza, Colonel Brandons foster daughter and then easily moves on to Marianne. Careless of her happiness, thinking only of my own amusement, giving way to feelings which I had always been too much in the habit of indulging, I endeavoured, by every means in my power, to make myself pleasing to her, without any design of returning her affections. (Jane Austen, 173-174). Willoughby confesses to Elinor that he never had any intentions of falling in love with Marianne and he admits to have been a Casanova in the past. Throughout the novel Willoughby mistreats women and uses them for his pleasures. He is driven by society to please women but not care for them and at the end his flawed propensity leads him to being punished by not being able to be with the one he loves. Similar to Othellos Iago Willoughby does not think highly of women. Both Iago and Willoughby are villains of the story because of their harsh behaviour towards women. Although Iago shows no remorse for hurting women whereas Willoughby regrets his dishonesty towards the women in his life, they both are still seen to be of the same nature because of their characters being so deceptive towards women. Furthermore Elinor is also a victim of mistreatment. She now found that, in spite of herself, she had always admitted a hope, while Edward remained single, that something would occur to prevent his marrying Lucy. But he was now married; and she condemned her heart for the lurking flattery which so much heightened the pain of the intelligence. (Jane Austen, 194). Elinors thoughts express how hurt she is by the news of the her loves marriage. Edward Ferrars is someone the reader would least expect to hurt a woman but his loyalty towards Lucy Steele and unplanned love for Elinor lead him to having to choose between the two women. Knowing that either way he will hurt someone, he chooses to be with Lucy in order to be keep the promise of marrying her and not be hated by society for leaving her. One cannot help but blame Edward for leading Elinor on and not letting her know about his engagement with Lucy. Although Othellos killing Desdemona is very extreme compared to Edwards choosing Lucy over Elinor, both characters invoke catharsis in the audience because of the situation the characters find themselves in. Othello is driven to kill Desdemona because of his role in society and what society might think of him if they were to find out that his wife has cheated on him. Edward is driven to leave Elinor because of his engagement to Lucy which is persisted because society would not accept a broken engagement. In both cases the role society plays coerces both men to mistreat women they love and care for. Othello and Iagos treatment towards Desdemona and Emilia and Willoughby and Edwards treatment toward the Dashwood sisters are illustrations of they can be compelled to behave a certain way because their thoughts are driven by the beliefs of society. Though the women in Othello and Sense and Sensibility have to deal with living in a sexist society they are still able to overcome it through their emotional strength. Desdemonas obedience towards Othello does not blind her of how much power she has over him. My lord shall never rest; Ill watch him tame and talk him out of patience; His bed shall seem a school, his board a shrift; Ill intermingle everything he does with Cassios suit. Therefore be marry, Cassio, For thy solicitor shall rather die than give thy cause away. (III. iii. 24-30). Desdemona tells Cassio how she shall continue to pester Othello until he is given his lieutenancy back. She is aware that she has a fair bit of control over Othello and she uses this to her advantage when trying to help Cassio. Desdemona does not let society hold her back from showing that she has a voice and that her say in a situation is important to her husband. Emilia also prevails as a strong women by defying Iago, in spite of society judging her for going against her husband. No, I will speak as liberal as the north. Let heaven and men and devils, let them all, all, all cry shame against me, yet Ill speak. (V. ii. 261-263). Emilia chooses to speak up against her husband and reveal him for the evil person he truly is because he has just caused her mistress death. She no longer cares for what society thinks of her as it is more important for her to prove Desdemonas innocence. You see Emilia at her strongest point in the play as she fights for Desdemona and herself, revealing the true strength of women and their ability to rise against men and society. Likewise, Elinor is able rise over societys hardwired perception of women by accepting what society expects from her but still having a mind of her own. Her ability to hide her emotions from others is her greatest strength. Sense will always have attractions for me. (Jane Austen, 29). For Elinor sense is something that allows her to be a part of society and still have as many emotions as Marianne. Therefore she believes that she will always approach life with sense. This is Elinors way of overcoming society. From hiding her feelings about what she really thinks about the Steele sisters to hiding her love for Edward, Elinor is able to keep everybody guessing about her true character and what people should really think about her. Elinors approach of overcoming societys perception is similar to Desdemonas approach as they both take a more subtle path. Elinor and Desdemona both show an enormous amount of strength through their empowerment over people. Elinor is able to get information from people that she doesnt even expect to get by being silent and approachable. Desdemona is able to get Othello to see her as an important figure until Iagos manipulative acts part Othello from her. Elinor and Desdemona are both the voice of common sense in their texts as they rise above societys mentality about women through the power of wisdom. Marianne struggles to accept what society asks of her but by the end she is able to use her sister as an example to find her way from a world of over-romanticizing to a more realistic place. She was born to discover the falsehood of her own opinions, and to counteract, by her conduct, her most favourite maxims. She was born to overcome an affection formed so late in life as seventeen, and with no sentiment superior to strong esteem and lively friendship..! (Jane Austen, 206). Jane Austen describes how at the end Marianne learns from her mistakes of being excessively sentimental and is able to overcome societys perception of women by being more like her sister. Marianne is able to accept that Willoughby was not meant to be with her and that she was meant to be with Colonel Brandon. Marrying Colonel Brandon helps Marianne start life on a new note and accept what society asks of her but still have her own say in matters. For both Marianne and Emilia it takes more time to find a way to rise against society and still be a part of society at the same time. At first Marianne doesnt accept to be a part of society whereas Emilia decides to be obedient and try to be accepted by society. By the end both characters are able to learn from their mistakes and acquire a way to triumph over societys perception of women. Marianne is able overcome society by accepting what society expects of her and Emilia is able to rise above society by telling the truth about her husband, not caring about what society thinks of her. The women of Othello and Sense and Sensibility are able to prevail over society by acknowledging the standards society sets for women but accepting them to an extent that does not allow them to control how they think. The women in Othello and Sense and Sensibility accept the role society gives them regardless of the consequences, and at the end they are able to rise above society by proving how strong women are. Othellos Desdemona chooses to obey Othello as that is what society expects her to do, even though he physically and emotionally abuses her. However she is still able to prevail as a strong women through her empowerment over Othello. Emilia is an obedient wife to her husband because she wants to fit into society, despite him constantly neglecting her. Yet she is able to over throw her husband by revealing his evil acts. By doing this she is able to prove to society how strong women are as she dies protecting her friends honour. William Shakespeare depicts how even though society portrays women as irrelevant people during his time, they still have a great impact on the lives of men. Elinor takes a more restrained approach to fight societys beliefs of women. She accepts to behave as expected of her but does not allow that to change the way she thinks. As a result Elinor learns that she does not always need to approach everything with common sense and she is able to learn to let herself go sometimes. Marianne starts off being the opposite of Elinor, as her being younger and more emotional prevents her from understanding the necessity of being accepted by society. By the end she is able to accept her role in society but at the same time she does not let her sensibility go. Jane Austen shows how that even though there is parallel of both Dashwood sisters fighting society and trying to find love at the same, they both approach it differently and at the end they decide to embark the same route. Jane Austen depicts how a balance between sense and sensibility allows women in the eighteenth century to not only be a part of society but also have a more dominant role as a woman. Though there is a large difference in the period both these texts were written in, the women still struggle with the same problems. Living in the year two thousand and eleven, yes there has been some improvement in how women are treated but that hasnt changed the way men think. Women are still not strong enough or not brave enough in the minds of men. Its still rare for you to see a women as a president or prime minister. After centuries of fighting for their rights women still have a long way to go to prove their strength and capability to men and society.

Playstation2 Arrives! :: essays research papers

Playstation2   Ã‚  Ã‚  Ã‚  Ã‚  Late this summer, Sony will release its brainchild product dubbed PlayStation2. This is a follow up to its predecessor PlayStation1. If you are familiar with the video game entertainment market, its usual that a company releases a new console every 4 to 5 years.   Ã‚  Ã‚  Ã‚  Ã‚  The Playstation2 is expected to revolutionize the video gaming industry in ways never imagined before. Who would have thought we would be able to watch DVD's on our video game player? Soon this summer we will be able to. How about connecting to the net and going online to play a buddy or just any competitor in California? Feel like downloading some mp3's? The new PlayStation2 will let you do all these things and more.   Ã‚  Ã‚  Ã‚  Ã‚  PlayStation2 will offer a variety of different ways of using their machine. Not only can you play revolutionizing games, but you can shop through your computer. Sony will offer in 2001 a connection to the Internet in which you can just surf the web. As I have mentioned, Sony has formatted the PlayStation2 to able to play DVD videos along with its games. One of the greatest things about the PlayStation2 is that you can play all your old Playstation1 games on it! Finally! After years and years of this backwards compatibility being in the dark, it is now possible with the PlayStation2. Not only your old games, but even your old controllers, memory cards and wires are going to be fully compatible with the system.   Ã‚  Ã‚  Ã‚  Ã‚  The PlayStation2 is expected to beat out its predecessor in every way including the books. Playstation1 accounted for 40% of all of Sony's profits in 1998. As of the first weekend of sales in Japan, Playstation2 had sold 980,000 units. All in one weekend! The lone fairly new competition that will be on the market before Playstation2 is the Sega Dreamcast. This was released in 1999 and has sold 4 million units since its release. Figure 4 million units in 52-weeks and then look at PlayStation2's numbers in Japan on one weekend.   Ã‚  Ã‚  Ã‚  Ã‚  Playstation2 will be extremely succesful because of it almost cult like following. In a recent study, a conclusion was made that 1 in four homes have a Playstation. That is close to 25 million units sold in the US alone. This all adds up to the 70 million units total sold in the world. And now the product is just more sellable with the DVD, Internet, and backwards compatibility available.

Cake Making

The Event: The mixer beats the egg yolks in a spiral motion, as the sugar is being added to the eggs. Due to the fat content of the egg yolks, the yolks are isolated from the egg whites to avoid the deflation in the rising of the whites. Two separate batters consisting of the egg whites which were whisked until it became frothy and the egg yolks were then mixed together with butter using a spatula in folding motion. After which a sifter was used to add the flour and the cocoa powder into the mixture while it was being whisked in the mixer.The oven was pre-heated to a temperature of 175F. The combined batter was then poured into a buttered spring-form pan which had been smoothly brushed with butter to avoid having the batter stick to the pan. The batter slowly started to solidify and rise higher. The point at which the cake starts to become golden in color is the sign to get the cake out of oven, since it is completely baked. Alongside, the juice of the cherries was being drained and the whipped cream was mixed with the vanilla sugar to form the blobs on the surface of the cake.The chocolate was separately being melted to get the icing ready. The melted chocolate was allowed to cool down and then started the process of assembling the cake. The Process: The success of the cake depends on the measurements used for the ingredients. The measurements needed should be taken carefully to prevent flaws in the outcome of the cake. If for any reason there is a mistake in the measurement of one or more of the ingredients, this may result in batter being too parched or too soggy. In which case, the batter will not be able to bake properly.The perfect outcome of the sponge of the cake depends on the uniformity and width of the batter, which will only be precise if the ingredients are perfectly measured. It is preferable to melt the butter first and then pour the egg mixture into the pan because it becomes easier for the baker to smoothly fold the mixture with the other ingre dients or else the mixture could stick to the pan and negatively affect the rising of the cake. Using a sifter to add in the dry ingredients such as the flour and cocoa powder, will control the amount of air that is in the batter, which is crucial in order to achieve the lightness of the sponge.Also, to achieve the perfect golden color of the sponge and the lightness, the heat of the oven should be set at a perfect temperature. While preparing the batter, the oven must be pre-heated to a temperature of 175F. To be totally ascertained that the sponge has cooked completely, a knife is popped in the centre of the cake, if it comes out without any batter stuck to it that means the sponge is baked and ready to be decorated. The sponge is then cut into three layers. The bottom two layers are sprinkled with kirsch and whipped cream mixed with vanilla sugar.Dried cherries are evenly placed on the whipped cream. The side of the top layer of the cake is then covered with the whipped cream and the surface is coated with chocolate icing. Finally, the blobs of whipped cream are evenly placed on the icing and a cherry is placed on each blob. The Procedure: The baker must have all ingredients measured and ready prior to the baking to ease the process of making the cake. He will then melt the butter in a pan and add the egg mixtures to it by carefully folding it with a spatula to stop the negative effect on the rising of the sponge.The baker will then make use of a sifter to add in the flour and the cocoa powder into the batter and combine the above mentioned dry ingredients. Then, he will pour the combined mixture in a buttered spring-form pan. Then, he will place the pan in the oven, which has been preheated at a temperature of 175F. After the cake is done, the baker will take it out and insert a knife in the sponge to test whether or not the batter has baked thoroughly, if the knife comes out without any batter stuck to it, then the cake is ready to be decorated.The baker will then cut the sponge into three layers and then place kirsch on the bottom layer. Spread the whipped cream mixed with vanilla sugar and place cherries on it and repeat the process with the middle layer. The sides of the top layer are then covered with the whipped cream mix and the surface has chocolate icing applied on it. Then the whipped cream blobs with cherries on top are made on the surface to make it look pretty. The cake is then ready to be served. Ingredients: -butter -175 g sugar – 6 eggs – 145 g flour 40 g margarine – 35 g cocoa powder – 1 jar of cherries – 2 tbs potato starch – 3 tbs sugar – 7 tbs kirsch – 500 ml whipping cream – 100 g chocolate confetti – 75 g chocolate – 8 g vanilla sugar (1 packing) Instructions: 1. Preheat the oven at 175 Â °C. 2. Sift the flour together with the cocoa powder. 3. Stir the sugar and the eggs with a mixer. 4. Melt the butter in a little pan. Pour the butte r to the egg mixture and fold it softly with a spatula. Add the flour and fold it again until you get a smooth mixture.Pour the batter into a buttered spring-form pan. 5. Place the spring-form in the middle of the oven. 6. Bake the cake for 45 minutes. 7. Take it out of the oven, let it cool down and turn it around. 8. Cut the cake horizontally into three layers. 9. Sprinkle these layers with kirsch (6 tbs in total). Drain the cherries and keep the juice. Bring the juice to the boil. Add the potato starch and keep on stirring to mix it. Add 3 tbs sugar, the drained cherries and 1 tbs kirsch to the juice. 10. Beat the whipping cream with the vanilla sugar.Cover the lowest layer of the cake with half the cherries and one-third of the whipped cream. Add the second layer. Cover it with the remaining cherries and the whipped cream. Add the third layer. Spread the side of the cake with the remaining whipped cream. 11. Melt the chocolate on a low fire. Let it cool down. Reheat the chocolat e until 37Â °C (99Â °F). Top the cake with the chocolate icing. 12. Cover the side of the cake with chocolate confetti. 13. Put blobs of whipped cream on the cake and put a cherry on each blob.

The Blue Sword CHAPTER NINE

She felt caught as she stared at the dark Hill-king astride his red horse, caught by the sky, by the stars winking into the new-fallen darkness, by the sand and encircling Hills; they seized her and held her down. She was a figure in some story other than her own, an embroidered shape in a Hill tapestry, a representation of something that did not exist in her Homeland. Then the crowd gave a roar and surged inward; she closed her eyes. But they were patting her ankles, her legs, her back, making her human again, with human bewilderment and human luck. She began to distinguish words in the roar: they were shouting, â€Å"Harimad-sol! Laprun minta! Minta – musti! Harimad-sol!† Tsornin and Isfahel were driven together, and they stood patiently while the crowd rose and foamed around them. Isfahel turned his head and Tsornin turned his, till their flared nostrils touched briefly in a salute. Out of the corner of her eye Harry saw Corlath blot the drop of blood at his mouth with the back of his hand. The crowd fell away from its center, breaking into smaller eddies that laughed and swung each other by arms and hands and shoulders. Sungold and Fireheart edged away from each other, their riders silent and motionless. Harry could not look at Corlath. He reached out one hand toward her, perhaps to touch her, but Tsornin sidled just one step farther and Corlath's hand dropped away. Mathin appeared on Harry's far side and touched her elbow, and Harry smiled gratefully at his familiar face. Mathin did not speak to her, but turned away, and she slid off Sungold and the two of them followed him, walking slowly, permitted their due of weariness at last. Mathin stopped where two taris were already set up, and knelt down to build a fire, companionably ignoring his two pupils; and Harry was glad to lay aside the glory of laprun-minta. The headache haze and sense of displacement began to ebb as she mechanically stripped off Sungold's saddle and rubbed him down. The smell of Mathin's cooking crept to greet her and cheer her, and remind her who she was, or who she had become. She was the Daughter of the Riders. Harry ate too much that night. She ate till her stomach hurt – Mathin had kept them on strict rations during training – but she was only half aware of what she was eating. Many of the lapruni she had faced today came to her, to touch her hand and offer what seemed a sort of fealty; they materialized at the edge of the firelight, as indistinct as they had seemed to her that afternoon: they wore red robes and blue robes and brown robes and black, for none wore a sash, and their swords hung in scabbards by their sides instead of drawn against her. And they called her Harimad-sol, and laprun-minta, and their voices were hushed and reverent. Harry ate too much because it made her feel more real. As the evening progressed other taris were set up nearby: she had noticed that Mathin was using a pot larger than the one for the two of them she had seen every night for six weeks. Soon she found they were sharing their fire and supper with Innath and Faran and Forloy and Dapsim, and others of the king's Riders. They watched without comment as the lapruni came to show themselves to the Daughter of the Riders, who kept putting more food on her plate as they appeared and vanished. Once when Harry looked up she saw Mathin handing Corlath a plate. The king slouched down, cross-legged, and began to eat. Harry would have liked to ask why the lapruni were saluting her, for it seemed beyond a simple acknowledgment of the loser to the victor, but she did not ask. Mathin had taught her patience, and she had known all her life how to be stubborn. It seemed a bit unfair to complain, she thought, as it – or as I – have turned out; but couldn't I have been told a little more beforehand? She looked into the eyes of those who sought her and called her Harimad-sol, and tried to think of them as individuals, and not as robes and tunics and fallen sashes. The lapruni all went away without her having to speak to them, for they did not seem to expect her to answer them with anything but her presence. This was both restful and unnerving. One laprun was a woman. For her Harry did have a question. â€Å"What is your name?† The girl's robe was blue, and Harry suddenly recognized her as the rider on the bay mare. â€Å"Senay,† she replied. â€Å"Where is your home?† Senay turned to face northwest. â€Å"Shpardith,† she said. â€Å"It is there,† and she pointed into the blackness. â€Å"Twelve days on a fleet horse.† Harry nodded, and the girl left to return to her own fire, and others came to speak to the laprun-minta who sat with the Riders and the king. When she looked around again she realized that there were eighteen dark figures besides herself and the king; all the Riders, from wherever they had been, had returned. And Narknon reappeared, and Harry hugged her eagerly, for she felt in need of something to hug. She offered her bits of meat, which Narknon graciously accepted, although she attempted to nose through Harry's plate herself, to make sure Harry wasn't keeping back any of the best bits for herself. Harry slept dreamlessly, her hand on the hilt of her sword; when she awoke and found this so, she stared at her hand as if it did not belong to her. She crept out of the tari and looked around. The sky was light; yet most of the taris still had bodies in them, and there were more blanket-swathed figures motionless around banked or burned-out fires. Mathin's lips moved as he rebuilt their fire. She turned to look behind her. Corlath was gone; there was only a small ripple in the sand where he had lain, or it might be only the wind. Mathin handed her a cup of malak. It was reheated from last night, and bitter. Harry shrugged into her stiff grimy surcoat, hoping there would be bathing sometime today, and thinking wistfully of the little valley behind her, and its green pool. Her split sash lay beside her, where she had stuffed it through the tari's open flap the night before. She picked it up and, after a moment's thought, wrapped it around her waist again, tucking torn edges underneath till it would stay fixed. She did not do it very well, and she thought of asking Mathin for help, but chose not to. After the wildness of the night before, this morning everyone went quietly about the business of packing up and returning, it seemed, to where they had come from. A few lingered: Harry and several of the Riders, for many of them had vanished with Corlath, and perhaps a dozen riders she did not recognize, and a few of the lapruni. She looked for Senay hopefully, but did not see her. The wind whispered over the bare land. But for the black hollows of dead fires, there was nothing to show that several hundred people had spent the last three days here. Mathin turned Windrider east, east where the City lay just beyond one of the enigmatic rockfaces before them. Tsornin fell into step beside Windrider; Viki came along behind them, still grumbling to himself; and the others, some thirty riders, strung out behind them. Harry peered over her shoulder several times, watching the procession winding behind her, till she caught Mathin's expression of restrained amusement when he glanced over at her. After that she looked only straight ahead. Narknon padded softly among them all. There was another big hunting-cat with them, a handsome spotted-mahogany male an inch or two taller than Narknon; but she scorned him. Tsornin strode out like a yearling having his first sight of the world beyond his paddock. Harry tried to keep her back straight and her legs quiet. Yesterday she had been glad of her perfectly fitted saddle, for it gave her suppleness and security; today she was glad of it because it told her where her legs were supposed to be even when they felt like blocks of wood. Her shoulder hurt, and her head felt woolly, and her right wrist was as weak as water, and she had a great purple bruise on her left calf. My horse is ignoring me, Harry thought. Or maybe he's trying to cheer me up. She had gone over him with great care the evening before, and again this morning, and applied salve to the few small scrapes he had collected. He had no suspicious swellings, no lameness, and his eyes were bright and his step buoyant. He made her feel woollier. â€Å"Are you trying to cheer me up?† she said to his mane, and he cocked a merry ear at her and strutted. They had just begun to step upward off the plain into the Hills when they rounded another abrupt shoulder of rock like the one she and Mathin had passed for her first view of the laprun fields; and here was a wide highway mounting steeply to massive gates not far away. There lay the City. They passed through the gates, borne beneath an arch two horse-lengths thick, their horses' hooves echoing hollowly. There was a cold grey smell, as if of caves, although the gates had stood for a thousand years. They walked down a broad avenue where six horsemen might walk abreast. It was stone-paved, laid out in huge flat cobbles, some grey or white or red-veined black; it had edges of earth where slender grey trees grew. Behind them were stone walkways where children played; and beyond them were stone houses and shops and stables and warehouses; stone flower-pots stood in doorways and on window ledges. The green-and-blue parrots Harry had seen in the traveling camp were perched on many shoulders, and some of them joined, gay and noisy, in the children's games. Often with a flirt of wings one would carry off the stone counter or mark a group of children was using, while the children shrieked at them, and occasionally threw pebbles at them, but only very small ones. â€Å"Is there no wood?† said Harry. â€Å"Nothing but stone?† She looked up at the roof and walls and gables mounting up the hillside behind the gates, tiers of stone, multi-colored stone, no shingles or slats or carved wooden cornices, or shutters or window frames. â€Å"There is wood here,† said Mathin, â€Å"but there is more stone.† Innath rode up on Harry's other side. â€Å"Mathin cannot see the strangeness of this place,† he said; â€Å"his village is just as stony as the City, only smaller. Where I come from we cut down trees and plane them smooth and slot them together, our houses and barns are warm and weathered, and do not last forever and haunt you with the ghosts of a thousand years.† â€Å"We use wood,† said Mathin. Innath made a dismissive gesture. â€Å"The grand receiving-rooms here have wooden paneling – you'll see some of them at the castle – and parlors, where people really live, often have wooden screens as ornaments.† â€Å"There are wooden chairs and tables and cupboards,† said Mathin. â€Å"There are more stone chairs and tables and cupboards,† said Innath. â€Å"They don't often rearrange the furniture here.† Harry looked around. She saw doors so well hung on their hinges that they were opened and closed by a child's touch, yet made of stone slabs so heavy she wondered how they had been wrestled into their places to begin with. Free-standing walls, she saw, were often as wide as the reach of her two arms; yet often too the inner wall facing on a courtyard encircled by tall houses was so fine and delicate, cut into filigree work so complex, it looked as though it must tremble in the lightest breeze; as if one might roll it up like a bolt of silk and store it on a shelf. â€Å"To be either a stonemason or a carpenter is to be respected,† Mathin said. â€Å"The best of them are greatly honored.† â€Å"Hear the horse-breaker,† said Innath. Mathin smiled. The children began calling: â€Å"The lapruni are here! And the Riders – and the laprun-minta!† â€Å"Harimad-sol,† Innath called to them, and Harry blushed. â€Å"Harimad-sol,† agreed the children; and people came out from the houses and down the narrower ways off the wide central way to look. Harry tried to look around her without catching anyone's eye, but many of the onlookers sought hers; and when one succeeded, he – or she – would touch right wrist to forehead and then hold the flat empty palm out toward her. â€Å"Harimad-sol,† she heard, and eagerly they added, â€Å"Damalur-sol.† The children danced in front of Tsornin's feet to make her look at them, and clapped their hands; and she smiled and waved shyly at them, and Tsornin was very careful with his hooves. They rode on. At first the Hills rose up behind the low buildings, but as they went farther in, the buildings grew taller and taller and seemed part of the Hills themselves; and the trees that lined the way grew larger, till the shade of them could be felt as one passed beneath. Then another gate rose up before them, the wall around it running into the flanks of the mountains as if wall and gate had been formed with the mountains at the beginning of time. They went through this gate too, and entered a wide flat courtyard of polished stone. This stone was mirror-white, and it blazed up fiercely in the morning sunlight, and Harry felt as if she had emerged from underground. She blinked. Before her stood Corlath's castle; no one had to explain to her what this huge stone edifice must be. She tipped her head back to see the sharp points of the turrets, brilliant as diamonds. It was itself a mountain, proudly peaked, seated among its brothers; its faces glittered dangerously. The shadows it threw were abrupt and absolute; one wall reflected white, another black. The central mass was taller than the Hill crests here; the road they had climbed had reached near the summit of the dark Hills, and like an island in the crater lake of an extinct volcano, the castle stood in its stone yard that shone as bright as water in the sun. Harry sighed. Men of the horse were approaching them in the swift but unhurried way she remembered from the days on the desert in the traveling camp; and she felt a sudden sharp stab of memory, as if that were a time many years past, and the present were sad and weary. She slipped down from Tsornin's back and he suffered himself to be led away when one of the brown men spoke to him gently by name and laid a hand in front of his withers. Narknon sat down neatly at Harry's feet; Harry could feel her tail twitching at her ankles. Those who had ridden with her began now to go purposefully in their own individual directions. Mathin said to her, ‘†It is here I am to leave you. Perhaps it may be permitted that we ride against each other again and you may practice your skills upon me, Daughter of the Riders.† He smiled. â€Å"We will meet again at the king's table, here in the City.† Harry looked up toward the castle when Mathin left her, feeling a little forlorn; and it was Corlath himself who walked to meet her. She swallowed rather hard, and blessed the sunburn that would prevent her fierce blush from showing as clearly as it would on an Outlander's pale skin. â€Å"We meet again, Harimad-sol,† Corlath said. There was a tiny scab at one corner of his mouth; he looked down at her with a cold dignity, she thought; he is the master of this place, and what am I? Even Daughter of the Riders could not comfort her as Corlath stood before her with his castle shining savagely behind him. But then he spoiled the effect – or perhaps the effect was all in Harry's eyes to begin with – by saying, â€Å"So that's where the thrice-blasted cat disappeared to. I should have guessed it.† He did not look very majestic while glaring at a cat; so Harry said crossly, â€Å"I wish I knew what was going on.† Corlath looked at her thoughtfully, and Narknon, with customary feline charm, stood up and went to twine herself around Corlath's legs. Corlath's face softened and he rubbed her ears. Harry could hear her purr; she could almost feel it through the soles of her boots on the white stone. Narknon was a champion purrer. â€Å"And don't tell me that no one knows what is going on and that it is for the gods to decide, either.† Corlath's face wavered and then broke into a smile, although whether at Harry or the big cat, Harry didn't know. â€Å"Very well,† he said. â€Å"I won't. I will tell you that you are the First of the laprun trials, laprun-minta, which you already know, and as such the most important of the lapruni, the untried.† Corlath's hand lay motionless on Narknon's head. â€Å"The army marches, to do what it can, in less than a fortnight's time. You and the best of the lapruni will ride with us.† Narknon bumped Corlath's hand violently and the fingers stirred and began scratching again. In a lighter tone Corlath continued, â€Å"In other years that the laprun trials are held, there is a week's celebration at their end, and a great many songs are sung, and lies about one's own prowess told, and all the minta of past years claim that their year was the best, and much wine and beer is drunk, and it is all very cheerful. This year we have not the time, and many of those who would be part of it are far away, and those who are here are busy, and the work they do is melancholy.† He paused as if hoping she would say something, or at least raise her eyes from Narknon's sleepy face and look at him; but when she did finally look up, he immediately squinted up at the sky. â€Å"But tonight there will be a feast in your honor. You are not the least of those who have been laprun Firsts. There are many who will come tonight merely to look at you.† Harry stopped smiling at the cat. â€Å"Oh,† she said. â€Å"Come. I will show you where you will stay till we leave the City.† She followed him across the smooth courtyard and around one wing of the castle; as they rounded the tip, set back from the edge and guarded by the castle's great bulk was a wall that at first seemed low; but it was fully ten feet high as they approached. It curved back on itself as if it protected something within that was very precious. In the wall was a door, the height of a tall man. Corlath opened it, and looked around for her. She stepped in first, Narknon crowding at her heels, with the odd feeling that he was watching her anxiously for her reaction. It was very beautiful. Here the courtyard was not stone, but green grass, and a stream ran through it from one end to the other, with a fountain at the center, and a stone horse reared in the midst of the falling spray. On either side of the stream was a path of paving-stones, grey and blue, that went all the way around the fountain. There were curved stone seats on either side of the fountain, with the stream running between them. Beyond all this was what Harry thought of instantly as a palace, for all its diminutive size; it was no bigger than the gateman's cottage on her father's – now Richard's – estate, back Home. But this cottage had slender peaked towers at each of its five corners, and a cupola at the center of the slanting roof, with a delicate fence surrounding it. But for the cupola, it was only one story high, and the windows were tall and thin. The walls and roof were a mosaic of thousands of small flat blue stones, with colors from aquamarine to turquoise to sapphire, but Harry had no idea what these stones might be, for they were opaque, and yet they gleamed like mother of pearl. She sighed, and then to her horror she felt her eyes filling with tears; so she ran forward. It seemed as though even her leather riding-boots made no sound on the stone here, and she plunged her hands into the water of the fountain, and put her face under the spray. The coldness of it quieted her, and the drops danced around her. Narknon climbed up on one of the benches and lay down. Corlath followed them through the door in the wall and then went on to the little mosaic palace. There was no door in the arched entrance. Harry stepped slowly inside. Here the stream had slipped around behind and entered by some back way, for in the center of the front room was another fountain, and the stream ran in under the rear wall; but here the stone horse stood on all four legs and bowed his head to drink from the pool at his feet. There were tapestries on the walls, and rugs and cushions on the floor, and one low table, and that was all. Corlath opened the stone door beside the place where the stream came under the wall. She looked in. The stream entered over a tiny falls of three stone steps under the far wall, to run under the near wall and out to the fountain in the front room. The water tinkled as it fell. The floor of this room was thick with carpets, and against the wall opposite the stream was the long bolster-like object she had learned to recognize in the traveling camp as the Hill idea of a bed, although she had entertained higher hopes of the furnishings of the City. There were pillow-sized cushions at one end, and body-sized rugs folded up at the other end. She went back into the bigger room and looked around again. There was another door between two long blue-and-green tapestries. She walked over to it and opened it, wondering if she would find a dragon breathing fire from a heap of diamonds, or merely a bottomless chasm lined with blue stones, but instead it was only a bit more of the grassy courtyard, and a few steps away was a door in the wall surrounding this magic place into what she thought vaguely must be the castle itself. She closed the door and turned back; Corlath was dangling his fingers in the pool just in front of the horse's stone nose. He looked as if he were thinking very hard about something. Harry leaned back against the door behind her and stared at him, wondering what he was looking at, and waited for him to remember her. He looked up finally, and met her eyes. She didn't think she flinched. â€Å"Do you like it?† he said. She nodded, not quite sure of her voice. â€Å"It has been a long time since this place sheltered anyone,† he said; she wanted to ask how it came to be here at all, who had built it so lovingly and why; but she didn't. Corlath left her there. He walked out past the fountain of the rearing horse, and at the door where they had first entered he paused and turned back toward her. She had followed him from the small jeweled cottage, and stood next to the low bench where Narknon lay at her ease. But he said nothing, and turned away again, and closed the door behind him. She went to the little back room with the bolster and took off her surcoat. Her hands met her torn sash; her fingers curled around it and then she pulled it off in her two hands and tossed the pieces away from her. They fluttered to the floor. She lay down by degrees, leaving the lower half of her left leg h anging over the edge of the bolster, where the bruise need not come in contact with anything, and carefully arranged her sore shoulder. A young woman woke her, but she was dressed as the men of the household were dressed, in a long sashless white robe, and had the same mark they did on her forehead. â€Å"The banquet will begin soon,† said the girl, and bowed; and Harry nodded and sat up stiffly, and yawned, and contemplated her bruises, which seemed to be spreading. She unfolded herself, and weaved to her feet. She put on her blue robe but left the sash lying, and followed the girl out of the mosaic palace and through the castle door into an antechamber. She looked to the left and saw a room with tables, high tables, and real chairs: not chairs like the ones she had known at Home, but still chairs, with legs and backs, and some with armrests. The girl guided her to the right and into an immense bathroom, with the bath itself sunk into the floor, the size of a millpond, and s teaming. The girl helped her out of her clothes, and Harry sat for a moment at the edge of the lake and dabbled her tired feet in it. Her attendant hissed with sympathy over the bruises. Once she was fairly in and wet all over, two more young women appeared, and one of them presented her with a cake of white soap. The third young woman unbound her wet hair – now that it was wet, it smelled terribly of horse – and started rubbing shampoo into it. The shampoo smelled like flowers. She thought, I bet Corlath's shampoo doesn't smell like flowers. She would rather have climbed out of her own clothes – in spite of the aches and pains – and washed her own hair. The young woman who had given her the soap washed her back with a scratchy sponge, and Harry repressed the urge to giggle; she hadn't had anyone wash her back for her since she was five years old. She was clean at last and wrapped in towels, and sat quite patiently while the young woman who had washed her hair now tried to work the tangles out of it. It was long and thick and hadn't been combed properly smooth for weeks. Better her than me, Harry thought cheerfully; there are advantages to servants, perhaps; and this girl is very gentle †¦ Harry caught herself dozing. I'm going to be less than a success at my own banquet if I can't even stay awake, she thought. I suppose the last six weeks are all catching up with me now, and Mathin's grey dust. She tumbled off her stool at last, the towels removed, and a heavy white shift dropped over her head. They put velvet slippers on her feet and a red robe around her shoulders, and twisted a gold cord around her hair but let it hang down behind her so she had to flick the end of it aside when she sat down. At Home, one never wore one's hair loose when one was no longer a child; at night it was braided, during the day it was tied up. Harry shook her hair; it felt funny. These last weeks she had tied and pinned it fiercely under her helmet, where it couldn't get caught in anything, like the branch of a tree, or Mathin's sword, or under her own saddle. The young woman who had awakened her had rubbed salve into her shoulder and leg before they dressed her, and Harry found that she could move more freely, and the weight of the robe didn't bow her down, nor the sleek surface of the shift rub her like sandpaper. The three girls ushered her across the anteroom to the room with the chairs, and they all three bowed, and looked shyly at her with smiles hovering in their eyes, so she grinned at them and flapped the edges of her clean scarlet robe at them, and they smiled happily and left. Harry sat down tentatively in one of the queer crook-legged chairs, and leaned back luxuriously. Rugs and cushions and stools can be very comfortable, but they are inevitably backless, and it was apparently not done to lean against a tent wall; no one else did it, at least, so she hadn't tried. The shift billowed around her as she shrugged farther into the chair: No sash, she thought. There was a long hall she could see through an open door; and after a few minutes Mathin appeared through another door at the far end of it and came toward her. In his hand was a bit of maroon cloth; and when he came through the door, the air that swept in with him smelled of flowers. Harry smiled. â€Å"Well met, Daughter of the Riders,† said Mathin, and unrolled what he had in his hand. It was her old sash, washed clean. The smile left Harry's face, and when Mathin held the sash out to her, still in its two pieces, as if he would tuck it around her waist, she backed up a step. He stopped, surprised, and looked at her face, white under the tan. â€Å"I think,† he said slowly, â€Å"that you do not understand.† He held his arms out to his sides, and the hand indicated a line on his own dark green sash. â€Å"Look here.† Harry looked and saw a similar tear, but carefully mended, with tiny exact stitches of yellow thread. â€Å"All the Riders wear them so. Many of us won the slash at the hand of the king after being First at the laprun trials – as I did, many years ago. It was Corlath's father gave me this cut. Two or three of us have won them at other times. Any one lucky enough to have a sash cut off by a sol or sola will wear the mended sash ever after.† Harry, faintly in the back of her mind, heard Beth saying: â€Å"They come in those long robes they always wear – over their faces too, so you can't see if they're smiling or frowning; and some of them with those funny patched sashes around their waists.† Mathin said: â€Å"I will teach you to mend yours; you must do it yourself, as you clean your own sword and pay your own homage.† He looked at her slyly and added: â€Å"All those sashes you lopped off their owners you may be sure will be saved and mended; and the cuts will be bragged of, given by the damalur-sol whose prowess was first seen when she was First at the laprun trials.† Harry suffered Mathin to put the maroon sash around her waist again. He did not tuck it together, as she had, so that the slash did not show; instead it went in front, proudly – Harry gritted her teeth – and was fixed by a long golden pin. Then she silently followed him down the corridor. There were pillars reaching up three stories to meet the arched ceilings; the floors were laid out in great squares, two strides' length, but within each black-and-white border were scenes drawn in tiny mosaic tiles. Harry tried to look at them as she walked over them, and saw a great many horses, and some swords, and some sunrises and sunsets over Hills and deserts. She had her eyes so busily on the floor that when Mathin stopped she ran into him. They stood under one of the three-story arches the pillars made, but on either side of them the spaces between the tall columns were filled in, and tapestries hung on these walls, and they stood in the doorway to an immense room. It too was three stories high, and a chandelier was let down from the ceiling on a chain that seemed hundreds of feet long. Mathin and she went down six steps, across a dozen strides of floor, and up nine steps to a vast square dais; around three sides of the square was a white-laid table. At the one edge of this dais where there was no table were three more steps up to a long rectangular table on a smaller dais; and around this table sat Corlath and seventeen Riders. There were two empty seats at Corlath's right. Chairs, Harry thought happily. Chairs seem quite commonplace in the City, even if they don't understand beds. They sat, and the men and women of the household brought food, and they ate. Harry cast a sharp eye over those bearing the dishes; it seemed that those of the household here in the City were about equally divided, men and women. Harry turned impulsively to Mathin and said, quietly so that Corlath would not hear, â€Å"Why were there no women of the household with us in the traveling camp?† Mathin smiled at his leg of fowl. â€Å"Because there were so few women riding with us.† Corlath said, â€Å"There will be some to go with us in ten days' time, if you wish it; for even an army on its way to war needs some tending.† Harry said stiffly, â€Å"If this wish of mine is not a foolish one, it would please me to see women of the household come with us.† Corlath nodded gravely; and Harry thought of that first banquet she had attended, still dizzy and frightened from her ride across the desert, bumping on Corlath's saddlebow. She was still dizzy and frightened, she thought sadly, and touched the gold pin in her sash; it was cold to her fingers.. There was talk over the food of the laprun trials just past and of how so-and-so's son had ridden well or poorly; all the Riders had been watching the trials with an attention made more acute by the nearness of the Northerners. Mathin mentioned that a young woman named Senay had done well; a place should be offered to her when the army was ready to march. The kysin had ranked her high, and so she was still in the City, hoping for such a summons. â€Å"Where is her home?† Corlath asked. Mathin frowned, trying to remember. â€Å"Shpardith,† Harry said. â€Å"Shpardith?† Mathin said, surprised. â€Å"She must be old Nandam's daughter. He always said she'd grow into a soldier. Good for her.† â€Å"Mathin's growing into a billitu, do you think?† said Innath, and a ripple of laughter went around the table. Harry turned to look at Mathin, and thought he was looking even more stolid than usual. â€Å"I choose only the best,† said Mathin firmly, and everyone laughed again. A billitu is a lady-lover. Harry smiled involuntarily. No one mentioned the brilliant performance of the youngster on the big chestnut Tsornin who had had the luck to carry off the honors, and Harry began to relax as the meal progressed, although, she thought, staring into her goblet, the wine was probably helping. All was cleared away at last, and then came a pause so measured and expectant that Harry knew before she saw the man bearing the leather sack that they would bring out the Water of Seeing. This time she could understand when the Riders spoke of what they saw: war was in almost everyone's eyes, war with the Northerners, who were led by someone who was more than a man, whose sword flickered with a light that was the color of madness, and terror filled the heart of anyone who rode against him. Faran laughed shortly and without mirth and said that what he saw was no use to anybody; Hantil saw his own folk riding grimly toward the City bearing a message he did not know. Hantil came from a village in the mountains that were the northern border of Damar. â€Å"I do not like it,† said Hantil; â€Å"I have never seen my father look so stern.† Innath sighed over his Sight. â€Å"I see the Lake of Dreams,† he said, â€Å"as if it is early spring, for the trees are in bud. The Riders ride along its edge, but our number is only fifteen.† Mathin tipped a swallow of the Water into his mouth, and stared into the distance; and it was as though he were turned to stone, a statue in the stone City; but his face broke into a sweat, and the drops rolled from his forehead. Then he moved, became human again, but the sweat still ran. His voice was rough when he spoke: â€Å"I am on fire. I know no more.† As soon as Harry's hands closed around the neck of the flask, a picture swam before her; in the brown leather of the bag, among the fine tooling, there was another image placed there by no leather worker. She saw Tsornin standing on the desert, and his rider carried a white flag, or a bit of white cloth tied to the end of a stick. â€Å"What do you see?† asked Corlath gently, and she told him. She could not see the rider's face, for there was a white cloth pulled over nose and chin; but she shivered at the thought of seeing her own face so eerily: and worse yet, what if it were not her face? Tsornin broke into a canter and then a gallop, and Harry saw what he approached: the eastern gate of the General Mundy. Then the picture faded, and she was looking at the curiously tooled leather of the Water bag again. She raised it to her lips. Something like an explosion occurred in her head as she tasted the Water. She shuddered with the shock. Her right arm was numb to the shoulder, and it was her left hand's grasp on the neck of the bag that prevented her from dropping it. Then she felt another shock like the first, and realized that Tsornin was between her legs, and he screamed with rage and fear. The sky seemed to be black, and there were shouts and shrieks all around her, and they echoed as in a high-walled valley. One more of those shocks and she would be out of the saddle. She felt it poised to fall on her – and her vision cleared, and there was the table again. She looked at her right hand; it was still there. She looked up. â€Å"I don't – I don't know exactly what I saw. I think I was in a battle and – I seemed to be losing.† She smiled weakly. Her right arm was still not working properly, and Corlath lifted the bag out of her left hand. He took a sip in his turn; and Harry, watching, saw his eyes change color till they were as yellow as they had been the first time she had seen him in the Residency's courtyard. Then he closed them, and she saw the muscles in his face and neck and the backs of his hands tense till she thought they would burst through the skin; and then it was all over, and he opened his eyes, and they were brown. They moved to meet hers, and she thought she saw something of his vision still lingering there, and it was something like her own. â€Å"I have seen our enemy's face,† Corlath said calmly. â€Å"It is not pretty.† Then the man came to carry the Water away, and the wine was brought back, and the shadows were chased away for a little. The Riders began looking expectantly toward Corlath, but this was a happier expectancy than that which had predicted the Meeldtar, and Harry caught the eagerness herself, though she knew not what it was for, and looked around for clues. They had eaten their meal alone in the vast hall, and their few voices ran up into the ceiling like live things with wills of their own. But after the Water bag had been taken away, people had begun to appear around the small dais where the king and his Riders sat; they entered from all directions and settled on cushions or chairs. Some of them mounted the lower dais and sat around the great table that surrounded the Riders. More of the folk of the household appeared, some bearing trays and some low tables, and set out more food, or passed it among the increasing audience. There was a murmur of talk, low but excited. Harry rubbed her fingers up and down the length of the gold pin in her sash till it was no longer cold. One of the men brought Corlath his sword, and he stood up and slung the belt of it around him. Harry wondered sourly how many years it took to learn to sling oneself into a sword as easily as yawn; and then wondered if she wanted to spend so many years that way. Or if she would have the choice. She had not liked waking up to find herself clutching her sword hilt as a child might clutch a favorite toy. Perhaps it was as well to have to think of shoulder and waist, belt and buckle. Another man came in, carrying another sword. Corlath took this one too, and held the scabbard in his left hand, letting the belt dangle; and he pulled it free and waved it, gleaming, under the light of the candles in the great chandelier. There was a blue stone set in its hilt, and it glared defiantly in the light. This was a shorter lighter sword than Corlath's, but the suppleness of it, and the way it hung, waiting, in the air, gave it a look of infinite age, and sentience, as if it looked out at those who looked at it. â€Å"This is Gonturan,† said Corlath, and a murmur of assent and of recognition went around the hall; the Riders were silent. â€Å"She is the greatest treasure of my family. For a few years in his youth each son has carried her; but she was not meant for a man's hands, and legend has it that she will betray the man who dares bear her after his twentieth year. This is the Lady Aerin's sword; and it has been many a long year since there has been a woman to carry it.† Harry was staring at the blade, and barely heard Corlath's words; she was watching a flame-haired woman riding in a forest that seemed to grow against the flat of the shining sword; in her hand was another sword, and the hilt sparkled blue. All the other Riders were standing up, and Corlath reached down and seized her wrist. â€Å"Stand up, disi,† he said. â€Å"I'm about to make you a Rider.† She stood, dazed. A disi was a silly child. There was another who rode with the woman who carried the Blue Sword; he rode a few paces behind her. â€Å"A Rider?† Harry said. â€Å"A Rider,† Corlath replied firmly. She dragged her eyes away from the winking sword edge and looked at him. Another man of the household set a small flat pot of yellow salve at Corlath's right hand. The king dipped the fingers of that hand in it, then drew them to smear the ointment across his palm. He had shifted Gonturan to his left hand; now he seized the blade near the tip with his right, and gave it a quick twist. â€Å"Damn,† he said, as the blood welled between his fingers and dripped to the floor. He picked up a napkin and squeezed it. â€Å"Take my sword, Harimad-sol,† he said, â€Å"and do the same – but not so enthusiastically. I think, though, that Katuchim has not the sense of humor that Gonturan does, so do not fear him.† She dipped her fingers in the salve, and touched them gently to her palm; reached out and, as awkwardly as if she had never learned one lesson from Mathin, dragged Corlath's sword from its scabbard. It was so long she had to brace the hilt against the table to get a reasonable angle on the edge. She closed her fingers around it, thought about something else, and felt the skin of her palm just part. She opened her hand, and three drops of blood only sprang from the thinnest of red lines across her skin. â€Å"Well done!† said Mathin over her shoulder, and the Riders cheered; and the whole hall picked it up, shouting. Corlath grinned down at her, and she could not help smiling back. â€Å"There have been more graceful kings and Riders since the world began, but we'll do,† said Corlath to her, quietly, below the roar around them. â€Å"Take your sword, and mind you treat her well. You will have Aerin's shade to answer to, else.† Harry's fingers closed round the blue hilt and she knew at once that she would handle this sword very well indeed – or it would handle her. For a moment she found herself wishing that she had been carrying Gonturan the day of the trials, and at this a slow sly smile spread across her face. She raised her eyes to Corlath's face – he had taken his own sword back and sheathed it, and one of the Riders was tying the napkin around the wounded hand and saying something sardonic; but Corlath only laughed, and turned back to watch her. Such was the slow sly smile he offered her in return that she rather thought he knew just what she was thinking. â€Å"Damalur-sol!† the people cried. â€Å"Damalur-sol!†

How Does the Cell Membrane Function

How Does the Cell Membrane Function SAT / ACT Prep Online Guides and Tips All living things are made of cells and all cells have different parts that perform specific functions. One of the parts present in every cell is called the cell membrane. In this article, we’ll discuss the cell membrane structure and function, answering the questions â€Å"what does the cell membrane do?† and â€Å"why is the cell membrane important?† What Does the Cell Membrane Do? The main cell membrane function is to protect the inside of a cell. The cell membrane surrounds the cytoplasm of a cell (both plant and animal cells). As a thin, semi-permeable substance, the cell membrane lets some things pass through into the cell while keeping others out. The cell membrane is extremely important for keeping the cell safe. Because the cell membrane has a semi-permeable structure, it also gives a bit of shape to the cell. While not as thick or sturdy as the cell wall found in plant cells, the cell membrane does help support and give structure to the cell. The cell membrane is also responsible for helping cells grow through two processes known as endocytosis and exocytosis. What Is Endocytosis? During endocytosis, materials from outside of a cell are brought into the cell and then absorbed. Endocytosis helps cells get materials they need. There are three types of endocytosis. In pinocytosis, cells take in small amounts of extracellular fluids to help them hydrate. In receptor-mediated endocytosis, a large extracellular molecule, like a protein, is bound to a receptor on the cell membrane. In phagocytosis, cells ingest large objects, like chunks of dead organic matter, and seal them off into large vacuoles and digest the material. What Is Exocytosis? In exocytosis, a cell releases substances into its environment. During exocytosis, vesicles that contain substances are moved to the cell membrane and fuse with it. This cell membrane function has three results: the total surface of the membrane increases, toxins or waste products are eliminated, and proteins become part of the plasma membrane. Cell Membrane Structure Cell membranes are made up of mainly lipids and proteins. A lipid is a type of organic molecule found in living things. Lipids are oily or waxy. Fats are made from lipid molecules. Proteins are large, complex molecules found in living things. They are made up of amino acids and do work related to the structure, function, and regulation of the body’s tissues and organs. There are three types of lipids and two types of proteins found in cell membranes. Cell Membrane Lipids There are three types of lipids found in cell membranes: Phospholipids are the main component of cell membranes. They line up and form a double layer that all cell membranes have. The double layer phospholipids form helps to protect the cell by only allowing certain materials to pass through. Cholesterol is a lipid that helps cell membranes from becoming too stiff. Cholesterol acts a bit like a sheepdog - it herds the phospholipids and prevents them from crowding together. Glycolipids are found on the surface of the cell membrane and help the cell recognize other cells in the body. Cell Membrane Proteins Cell membranes have two main types of proteins that then have specific functions within the categories. Peripheral proteins are proteins that are attached to the outside of the cell membrane. They are involved with the cell membrane because of interactions with other types of proteins. Integral membrane proteins pass through the membrane itself. Classes of Peripheral and Integral Membrane Proteins There are four different classes of peripheral and integral membrane proteins. Both peripheral and integral membrane proteins have structural, receptor, transport molecule, and glycoproteins. First, there are structural proteins, which, as their name suggests, help give the cell its structure. Next, there are receptor proteins. These proteins help the cell communicate to other cells (think cell phone reception). They use hormones, neurotransmitters and other things to talk to other cells. Transport molecules are like ferryboats. They help carry material through the cell membrane. Finally, glycoproteins also help in communication and transportation. Cell Membrane Function: Key Takeaways There are many parts of the cell, like the chromosomes, nucleus, Golgi apparatus, and cell membrane. The cell membrane structure and function is to act as the gatekeeper to the cell. The cell membrane gives the cell its shape and helps keep bad material out while also ferrying good material in. All cells have cell membranes, which are composed mainly of lipids and proteins. What's Next? Are you studying clouds in your science class? Get help identifying the different types of cloudswith our expert guide. Working on a research paper but aren't sure where to start? Then check out our guide, where we've collected tons of high-quality research topics you can use for free. Need help with English class- specifically with identifying literary devices in texts you read? Then you'll definitely want to take a look at our comprehensive explanation of the most important literary devices and how they're used.

Discuss the main American film noir influences found in le Doulos PowerPoint Presentation

Discuss the main American film noir influences found in le Doulos (Melville 1964) - PowerPoint Presentation Example The innocence was lost suddenly. The threat of nuclear annihilation was in the air perpetually. The result was widespread pessimism and anxiety among the people in general. It was such a social situation that was responsible for the emergence of the so called â€Å"Film Noir† The optimism and the pleasant mood of the Hollywood musicals and comedies were replaced by violence and greed. Even the title of the films echoed the black tone of the content and treatment. The Dark Passage (1947) Fear in the Night (1947) Kiss me Deadly (1955) are few examples. But Film Noir was not a genre. It was more about the mood and tone of the film. A particular moody content treated in a dark style. These films usually revolve around a main male character who is very cynical and hard hearted. He encounters an amoral and seductive beauty. Through her manipulations the hero becomes a scapegoat often after a murder. Finally the hero gets destroyed and this woman who betrays him also gets destroyed. The protagonists of these films generally belong to a particular class. They come from lower strata of society or rather the underworld. They are very ambitious people who become criminals to fulfill their ambitions. Thus they are cynical, disillusioned and frightened, obsessed with sex or some other vice. They are very insecure and lonely people who end up as ultimate losers. They are driven by their past and they often repeat their mistakes. The story telling is rarely linear and is often elliptical and complex. Flashbacks are aplenty. Orson wells and his film Citizen Kane had great influence in the camera work of Film Noir . , Orson Wells and his camera man Greg Toland contributed to the aesthetics of cinema by using wide angle lens, for dramatic purposes, there by creating what was known later as â€Å"deep focus† and the â€Å"depth of field†. According to the French film critique and New Wave film director Francois Truffaut, â€Å" this film ( Citizen Kane ) has inspired more

The Revolution Essay Example | Topics and Well Written Essays - 500 words

The Revolution - Essay Example Large plantations were similar to modern factories, extremely organized, and focused primarily on one goal: that of improving production. The slaves had a specific task assigned to them and they were expected to do a specific amount of the work each day. They were usually inspected by an overseer who would often be cruel and inconsiderate, pushing them beyond human endurance. The owner was usually not present or looked in on the work at suitable intervals, interacting only with the overseer. Some of the harshest treatments to the slaves were meted out at large plantations of sugar, rice, or cotton of the Old South. On a small plantation or a farm, on the other hand, the slaves were given different tasks to do directly by their master, and were more a part of the household because they worked in the home as well as the field. There was no overseer, and all the work was given out by the owner himself. This gave the slaves a better sense of belonging, and they were treated much better, because usually they were more like servants in European households than tortured slaves. The phrase"jumping the broom" comes